Through sculpture, I interrogate the integrity and constitution of forms that have served manifold purposes throughout art and human history. Currently, my interrogation is aimed at two specific forms, common in both use and the discorse of contemporary art; the pedestal and the architectural support. I do this in order to enact a process of reproduction, performed under self enforced rules and restraints. Working procedurally and somewhat serially, each new sculpture—each new incarnation of a specific form—is the formal reconsideration of a previous incarnation.
